By the way whats a DI box?
Did I just go invisible? Hello? McFly?
heheeee
http://www.youtube.com/watch?v=9yiYbCJitvQ
EDIT: Check out the fro’ on Mr. Preston…
I haven’t thought of this tune in a bagillion years… seems appropo though.
D
Late to the party but getting back to the original question, I sometimes record bass (Fender P-bass) directly into the Line In on my (Soundcraft) mixer with good results.
Other times I use a straight DI, or line out from my bass amp or my bass enhancer thingy (like a sansamp but not, I forget the make). It all depends on what sound I’m going for.
Electric guitar can be recorded direct but it tends to sound wimpy. I have done it when that was the sound I wanted, or for a quick guide guitar track. It works better with higher output pups like humbuckers.
With electric guitar I tend to get the sound right before going to “tape” rather than recording clean and adding emulation effects. I’ve got a J-station, Rocktron rack pre, and a few other toys to use. Sometimes there’s no substitute to sticking a mic in front of a cabinet and recording some real air moving. Again, use what you got to get the sound that you want.
I nearly always record my Variax straight into the mixer with great results but I tend to use it for the “other” sounds rather than electric guitars.
So my answer to “do I need something between my guitar/bass and my mixer?” is “yes”… and “no”.
Thanks for all the great tips…I’m learning alot
When you guys record a full band In on shot …say a live gig…how do you run the cables…ie from the amps,mics to the Mixer
I usually put one in of a chord in the mixer then what ever is left on the other end goes… never mind - ain’t funny now.
When I record live with the band we mic everything except the bass and guitar - they go into the mixer by way of a direct box. We have a mackie console and mackie 24 track that we patch into.
Live? As in on stage? In that case… we don’t bother. Good luck finding a room worth it or a sound man in the know enough to make it work. I may stick up a spot mic every 10000 years just to have for review (we sucked here, we did good there). In a good room with a good performance (this generally means I am recording classical) then a spaced pair of omnis is all I use… perhaps a center mic too.
Or do we mean live as in “everyone in the studio at the same time”? That is a whole other animal. In that case everything that can be miced is, everything that can be DI’d is too… so I have amp tracks of the guitars, a duplicate Di track in case I want to reamp, recorded keys, MIDI of the same keys… drums, triggers on the drums for MIDI… lots and lots of redundancy for flexibility’s sake. And I always reserve the right to replay your part later if you screwed it up (unless it was a violin part in which case if I did that I would be de-nutted).
I pretty much agree that taking a “direct feed” from the sound man’s mix doesn’t work too well. That sound is or should be, mixed for the room. If I find myselkf wanting to record from the sound guys mics, I try to put my own board plugged into his direct-outs so that I get as many seperate tracks as I can instead of a two channel mix. Then I can mix it myself later.
The live recording that sticks in my head: we were doing a show in a large room with an electric base. The sound guy had a min. of the base in the on stage monitors, but a lot of base in the room from the on stage amp. The baseman kept turning up the amp and the sound guy kept turning down the feed. That was a challange to re-mix . . .
Bax
Yes I ment as If there all on stage ,amps going mics, monitors etc.
Do you ever hook the amp…say a Fender directly to the mixer?
Instead of micing It?..If so what out put on the amp would you plug into?
Thanks for your patients…I’m learning a lot here…and Its much appreciated